By Binyavanga Wainaina

A
lways use the word ‘Africa’ or ‘Darkness’ or ‘Safari’ in your title. Subtitles may include the words ‘Zanzibar’, ‘Masai’, ‘Zulu’, ‘Zambezi’, ‘Congo’, ‘Nile’, ‘Big’, ‘Sky’, ‘Shadow’, ‘Drum’, ‘Sun’ or ‘Bygone’. Also useful are words such as ‘Guerrillas’, ‘Timeless’, ‘Primordial’ and ‘Tribal’. Note that ‘People’ means Africans who are not black, while ‘The People’ means black Africans.

See the rest of this article at  http://www.granta.com/Magazine/92/How-to-Write-about-Africa/Page-1

Binyavanga Wainaina lives in Nairobi, Kenya. He is the founding editor of the literary magazine Kwani? and won the Caine Prize for African Writing in 2002. His writing has also appeared in the New York Times, the Guardian, and National Geographic

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AuthorCato Litangen
This discussion document aims to outline and summarise Arterial Network’s vision, aims and goals in the context of the conditions in which it is active on the African continent. It is being debated within Arterial Network’s continental and country leadership, with the intention of being a base document for internal and external use.
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AuthorCato Litangen
When working with culture and development, we are often confronted by issues related to the intrinsic value of art. Are we using art to prevent conflict, export our nations' masters, communicate social issues, open doors for our businesses, or to make peace. Is the last point our reason for inviting Palestinian artists to perform with an Israely counterpart on Norwegian stages? If so - are we looting the independence of the artistic expressions?
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AuthorCato Litangen
Lotta Lekvall is the Director of Nätverkstan, a Cultural Organisation in Sweden. Within the Economy of Creativity project of DoDown Artscentre in Nairobi - she and her collegue Karin Dalborg provided a two days traning "The Art of living on Art" for Kenyan artists. From this stay - she collected stories and reflections that you can share.
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AuthorCato Litangen
By: Mike van Graan The inevitable conflicts that arise out of the struggle for resources and power, play themselves out in the cultural arena, or take on a cultural dimension with culture being appropriated as a mobilising force within that struggle. Culture is then both the site and the means of struggle, with the arts and the media – with their embedded worldviews, values, beliefs and ideas – reinforcing or challenging dominant cultural – and power - positions.
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AuthorCato Litangen
The Norwegian Foreign Minister, Jonas Gahr Støre, is also a minister of culture. The Ministry of Foreign Affairs has spent over 95 million Norwegian Crowns during 2009 on cultural purposes. He gave his reflections as an article in the national newspaper, Morgenbladet, two days before the elections in Norway.
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AuthorCato Litangen


First prize for solo work won by Pape Ibrahima Ndiaye, called Kaolack, Jant-Bi company !

At the 7th Choreographic Meeting of Africa and the Indian Ocean held in Tunis from May 1st to May 8th, 2008 and organised by CULTURES FRANCE (Paris) and the association Ness el Fen (Tunis), Pape Ibrahima Ndiaye, called Kaolack, won the Solo category first prize at the solo category.
Kaolack is an ex-student of the Ecole des Sables and a member of company Jant-Bi.

Source: Ecole de Sable, Newsletter, May 2008

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AuthorCato Litangen

Arts Collaboratory is a special programme for visual artists’ initiatives in Africa, Asia and Latin-America. This new programme offers opportunities for knowledge sharing, exchange, contacts and financial support. You can find out whether this programme is of interest for your projects and programmes at: www.artscollaboratory.org.
So visit the website and send in your proposals!

Arts Collaboratory is developed by two Dutch foundations: Hivos and Stichting DOEN. The programme is carried out in co-operation with the Mondriaan Foundation.

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AuthorCato Litangen


It is now 20 years since the well-known “Dakar Expedition” that brought together for the first time a significant sector of the ANC leadership and about 60 prominent public figures from inside South Africa. It is also 50 years since Ghana became the first African state to obtain independence from a colonial power. It is 50 years since the first intervention by United Nations “Blue Helmets” in an African conflict. What are the salient lessons to be learnt from those events after all these years? How far have we come since then? How do we perceive of the next decades in Africa? These are the questions that will be addressed at Goree Institute in beginning of August. The output, a horizon of aspirations, will be part of the ongoing Imagine Africa process

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AuthorCato Litangen

- As KLM and Skyteam represent the preferred airlines for most travelers with stakes in Africa, we foresee a long and growing partnership, says Cato Litangen, who is organizing the European branch of Imagine Africa.

KLM will promote the Imagine Africa banner, “the flag of imagination”, and introduce Imagine Africa on their Club Africa website. In addition Imagine Africa will share experiences and upcoming events at the Club Africa members’ site, to promote and gain exposure to African arts.

Besides of the business aspect, KLM Club Africa is highly focused on sustainability. Imagine Africa is an arts initiative with a lot to offer the KLM Club Africa members. Therefore we are convinced of the fit between KLM Club Africa and Imagine Africa.

Imagine Africa is an idea by the celebrated South-African writer, artist and director at the Goree Institute in Senegal, Breyten Breytenbach. The Institute gathered major parties within African arts and culture on Goree in March this year, supported by international organisations within culture and development. From the discussions it was suggested to run the Imagine Africa campaign.

By the force of exceptional artists and minds that see themselves as part of the whole world, not the “Third World,” a new African Image evolves. Imagine Africa contributes to this force of new imagination, by supporting contemporary African arts and culture.

For more information:

See.
http://www.imagineafrica.org/
http://www.klmclubafrica.com/

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AuthorCato Litangen

Breyten BreytenbachThe founding father of Imagine Africa, Breyten Breytenbach, will be on Norwegian soil for his first time the 26th June. He is invited by Strømme Foundation for the Imagine Africa campaign. Breyten is booked for several duties. "Speaking the languages we don't understand" - about life in exile - "The islands of wind" - about the African Islands of special political importance - are two of the lectures we are looking forward to. Breytenbach will also do the formal opening of Internasjonalt Marked, celebrating cultural diversity - and the opening of the Imagine Africa campaign in Norway at the 29th.

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AuthorCato Litangen