Our partners network building is many-faceted. They serve professionalism in a field. They are extensive alumina networks based on participation in capacity building programs within the sector. They are kept together by a common interest in upholding an arts sector despite migration and re-location from a broken homeland. They are served by diaspora-based entities that works to uphold and foster critical voices at home ground. They are part of international alliances for the protection of artist at risk. As examples. A new tendency is the focus from the arts and culture sector to engage in cross-sectorial networks, and they are organizing locally, regionally and on an international level, implying a shift from policy and advocacy networks to socially engaged networks where purposes are within the field of (social and political) change.
Action for Hope Introduces an In-depth Training Guide and we as Mimeta are very pleased to share. It is a comprehensive training program aimed at enhancing the capacities of cultural managers operating within complex socio-political environments.
Mimeta this week launched the Sector Collective Program Organization aimed at fostering collaboration among multiple organizations and sponsors to address shared challenges and tasks within the cultural rights sector.
Opening remarks by Cato Litangen, Director of Mimeta, at World Freedom of Expression Forum (Wexfo), Workshop 23rd May
Mimeta is organizing this panel in partnership with the International Cities of Refuge Network (ICORN), as a side event to the World Expression Forum (WEXFO), taking place in Norway, Lillehammer 22-23 May - 9:30-12:30. WEXFO was launched last year with a mission to be a catalyst for freedom of expression defenders from around the world to unite them in a strong and active global community. Mimeta is a stakeholder in the WEXFO conference.
A first of its kind in the Arab region, the Master’s in Cultural Policy and Cultural Management is a two-year program taught in both Arabic and English. It is hosted by the Faculty of Literature and Humanities, Ben M’sik, at the Hassan II University in Casablanca, Morocco. Culture Resource established this program with Hassan II University and the University of Hildesheim in Germany and its UNESCO Chair for Cultural Policies for Arts in Development as a cooperating partner. The program is supported by the Ford Foundation and the British Council.
A talk show hosted by John Sibi Okumu where renowned business personalities, artists and public funders from government and donor world, had an interactive discussion on the opportunities and challenges encountered by investors and creators in the arts and culture field, in attempting "to do business together". For the talk show, business moguls and well known industrialists such as Manu Chandaria and Pete Ondeng engaged with comedians - Churchill and Nyambane; great musicians - Joseph Kamaru, Nameless; and public funders - the Director of Culture in the Ministry of Heritage and Culture and the Swedish Institute, in lively debate, in front of a live audience.
The talk show was followed by a two-day workshop where selected private and public investors and people in the creative industry engage, in-depth exploration to identify practical common tools and strategies between them, for mutual business benefit. A first in the country, the Economy of Creativity initiative was extremely well received; the next steps of the same programme are being plotted :- to hold a separate workshop for the Kenyan business & investment sector; to introduce them to the idea of bridging business and creators and to learn from them where they see the gaps are in forging this relationship and possible solutions; and to continue to develop materials and tools to help ready artists to engage more knowledgeably with the economy.
The Money and Meaning workshop provided 15 participants with tools, techniques and structured reflection that would assist creative individuals in developing their ideas, projects and businesses. The facilitators for this were from N�tverkstan in Sweden, who shared the tools based on experiences made at the National Endowment for Science, Technology and the Arts' Creative Pioneer Programme in the UK. The participants who attended this workshop were mainly visual artists from The GoDown arts studios as well as independent contemporary dancers and writers.
From: http://www.thegodownartscentre.com/recent-progs/e-creativity.html