Bangladesh: The government reaffirms commitment to free expression, dismissing claims of pre-publication book censorshi
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The publication of this special issue of Regards not only highlights the resilience and creativity of Syrian artists but also contributes to the broader discourse on the role of art in times of crisis. It serves as a valuable resource for scholars, artists, and anyone interested in understanding the intersection of art, politics, and social change in the Syrian context.
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Abdullah Alkafri, head of the Syrian cultural organization Ettijahat
Abdullah Alkafri calls for cultural and artistic sectors in Syria to actively contribute to political and social transformation by building institutions capable of supporting change. Alkafri urges participation in the constitutional reform process to influence legal frameworks regarding cultural associations, unions, and education systems, ensuring they function independently from state control.
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Once banned in Syria, Stars in Broad Daylight resurfaces as a symbol of artistic resilience
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For første gang hedrer Raftoprisen en kunstner. Budskapet er at kunst kan være et viktig verktøy i kampen mot autoritære regimer. Anerkjennelsen av Otero Alcántaras arbeid minner oss om at kunstneriske rettigheter er menneskerettigheter – og de må beskyttes
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We are happy to announce that the Rafto Prize 2024 has been awarded to Cuban artist and activist Luis Manuel Otero Alcántara, in recognition of his courageous resistance to authoritarianism through art. Luis Manuel Otero Alcántara is the first Rafto Prize laureate whose activism is rooted in artistic expression. His work stands as a profound example of how art can be a vital tool in the fight for artistic rights and freedom of expression, making this year’s award especially meaningful within the arts sector.
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2023 was marked by severe conflicts, such as those in Sudan and Gaza, alongside political tensions fueled by extremism and threats. It was a perilous year for anyone voicing opinions on war, politics, challenging tradition, or critiquing the powerful—artists were no exception.
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PANAF is seeking writers from The Gambia, Zambia, and Kenya to focus on the following topics:
The Emerging Generation of Socially Conscious Artists: Profiling leading socially conscious artists
Economic Empowerment through Art: Highlight initiatives and artists who are using their creativity to generate income, support local economies, and empower marginalised communities
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The former partner of Mimeta, Culture and Development East Africa (CDEA,) and the Tanzania Artists Rights Organization (TARO) have released a report looking at critical aspects affecting artists and the creative landscape in the country.
The report was part of the Sanaa Rights project supported by the Royal Norwegian Embassy in Dar Es Salaam and aimed to bolster the policy and legislative frameworks surrounding the arts sector. The project focused on mapping, reviewing, and providing recommendations for policies and laws pertinent to artistic expression. It also includes policy and legislative roundtables, as well as stakeholder dialogues to engage diverse perspectives within the artistic community and beyond.
The report concludes on challenges on issues as cultural protectionism, politcal interference, lack of harmonization of laws and regulations and un-professionalism in the sector. The art and culture sector is yet to be considered as a development sector, it states.
The recommendation for civil society organisations is to “advocate for the separation of the function of artist federations and associations from the government, so that they can independently enhance their voice and urgency on artistic freedom”.
See the report here!
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Our partners network building is many-faceted. They serve professionalism in a field. They are extensive alumina networks based on participation in capacity building programs within the sector. They are kept together by a common interest in upholding an arts sector despite migration and re-location from a broken homeland. They are served by diaspora-based entities that works to uphold and foster critical voices at home ground. They are part of international alliances for the protection of artist at risk. As examples. A new tendency is the focus from the arts and culture sector to engage in cross-sectorial networks, and they are organizing locally, regionally and on an international level, implying a shift from policy and advocacy networks to socially engaged networks where purposes are within the field of (social and political) change.
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- I can feel the solidarity every time I meet another artist. Its rather a lack of organised solidarity, its not formalised into anything
Ella Marie Hætta Isaksen, panellist at the Wexfo Brakout session, Navigating the Pressures: Protecting Artistic Freedom in a Complex Landscape. Photo From the facebook album of Wexfo (link)
The presumption of freedom of expression being media, rather than art. The session focused on how artistic rights and freedom can take a larger space within this rights environment. Why are there poor protection networks for artists, what can artists learn from journalists and their safety structures..
This breakout session at Wexfo 2024 was collaboratively prepared by NOPA, Mimeta, and Fritt Ord, representing the collective efforts of the event. Approximately 30 participants gathered for this seminar, which was structured as a panel discussion followed by an interactive workshop.
BULLA is a platform that promotes free creation and seeks to vindicate the role of artists who exercise cultural leadership aimed at transforming their communities. It is also a collaborative movement focused on defending artistic expression and promoting its recognition as a fundamental human right in the construction of free, plural, and democratic societies. It is a space to unleash the power of art and music in defending human rights and in empowering solutions to the social issues of their communities. BULLA is a a project from Fundación Cartel Urbano focused on the defense of artistic freedom in Latin America.
"The State of Artistic Freedom in Latin America 2020-2022," a comprehensive inquiry undertaken by the platform "BULLA," an initiative of Fundación Cartel Urbano dedicated to safeguarding artistic freedom in Latin America, represents an endeavor poised to illuminate the multifaceted challenges confronting artists within the region. Positioned at the nexus of socio-political discourse, this report meticulously scrutinizes the manifold threats posed to artistic expression by an array of actors, including state entities, drug trafficking organizations, and organized crime syndicates.
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Invitation to Breakout Session at World Expression Forum
We are looking forward to be present on this breakout session at the upcoming World Expression Forum, themed around the intersection of art, activism, and challenges faced by artists globally.
"Navigating the Pressures: Protecting Artistic Freedom in a Complex Landscape," will explore the intricate dynamics of artistic expression amidst censorship pressures from both authorities and civil society.
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At the Salzburg Global Seminar session ‘On the Front Lines: Artists at Risk, Artists who Risk’, in March 2023, fifty artists, activists and representatives from supporting organizations hailing from forty countries created the Salzburg Statement on Supporting Artists on the Front Line.
This mapping encompasses 71 organizations, all actively involved in supporting Artists-at-Risk to varying degrees. Out of these, 20 organizations have participated by providing responses to our survey, specifically designed for this mapping initiative. Additionally, 25 supplementary interviews were conducted among the 71 organizations. The study, therefore, combines survey data, interviews, and desk studies. While acknowledging the challenges of generalizing from this diverse material, we remain hopeful that it contributes to a comprehensive overview of organizations dedicated to supporting Artists-at-Risk.
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Utenriksdepartementet støtter Unesco sitt Aschberg-program. Dette har fokus på beskyttelse av kunstnerisk frihet. Rett før sommeren publiserte de Defending Creative Voices, en dyptpløyende gjennomgang av de internasjonale beskyttelsesmekanismene for kunstnere, med tittelunderteksten «Learning from the safety of journalists». Referansen til journalister er nærliggende. Begge grupper er spesielt fremhevet i menneskerettighetssystemet, og begge er avhengige av ytringsfrihet i arbeidet sitt.
Kulturledere i Arendal arbeider for at byen skal etablere seg som del av det internasjonale Friby-nettverket. I Arendal har alle kulturlederne gått sammen i Art27Arendal for å diskutere internasjonalisering av programarbeid og utvikling av et bedre internasjonalt nettverk. Arendal skal fortsatt være et fellesskap som ivaretar kunstneriske rettigheter. Dette gjelder både folks deltakelse i kunstproduksjon og kunstnernes ytringsfrihet. Slik vil de sikre at kultursektoren forblir en god pådriver og arena for demokratisering i lokalsamfunnet.
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Opening remarks by Cato Litangen, Director of Mimeta, at World Freedom of Expression Forum (Wexfo), Workshop 23rd May
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