Abdullah Alkafri, head of the Syrian cultural organization Ettijahat
Abdullah Alkafri calls for cultural and artistic sectors in Syria to actively contribute to political and social transformation by building institutions capable of supporting change. Alkafri urges participation in the constitutional reform process to influence legal frameworks regarding cultural associations, unions, and education systems, ensuring they function independently from state control.
The Nordic Culture Fund is a relatively new player in the financing of international projects. In the past, such investment has belonged to the member states' foreign policy, while the fund has supported projects between the Nordic members. In their newsletter from June, it is the ventures between the Nordics and the rest of the world that are given attention. This is interesting reading and an exciting development.
PANAF is seeking writers from The Gambia, Zambia, and Kenya to focus on the following topics:
The Emerging Generation of Socially Conscious Artists: Profiling leading socially conscious artists
Economic Empowerment through Art: Highlight initiatives and artists who are using their creativity to generate income, support local economies, and empower marginalised communities
The 2030 Sustainable Development Goals (SDGs) are crucial to Mimeta’s vision and approach to the idea of cultural development and artistic freedom. They are precisely emphasising how Mimeta can promote democratisation and the implementation of human rights. The SDGs also influence the structures of monitoring and evaluating within programmes of Mimeta
The former partner of Mimeta, Culture and Development East Africa (CDEA,) and the Tanzania Artists Rights Organization (TARO) have released a report looking at critical aspects affecting artists and the creative landscape in the country.
The report was part of the Sanaa Rights project supported by the Royal Norwegian Embassy in Dar Es Salaam and aimed to bolster the policy and legislative frameworks surrounding the arts sector. The project focused on mapping, reviewing, and providing recommendations for policies and laws pertinent to artistic expression. It also includes policy and legislative roundtables, as well as stakeholder dialogues to engage diverse perspectives within the artistic community and beyond.
The report concludes on challenges on issues as cultural protectionism, politcal interference, lack of harmonization of laws and regulations and un-professionalism in the sector. The art and culture sector is yet to be considered as a development sector, it states.
The recommendation for civil society organisations is to “advocate for the separation of the function of artist federations and associations from the government, so that they can independently enhance their voice and urgency on artistic freedom”.
See the report here!
- I can feel the solidarity every time I meet another artist. Its rather a lack of organised solidarity, its not formalised into anything
Ella Marie Hætta Isaksen, panellist at the Wexfo Brakout session, Navigating the Pressures: Protecting Artistic Freedom in a Complex Landscape. Photo From the facebook album of Wexfo (link)
The presumption of freedom of expression being media, rather than art. The session focused on how artistic rights and freedom can take a larger space within this rights environment. Why are there poor protection networks for artists, what can artists learn from journalists and their safety structures..
This breakout session at Wexfo 2024 was collaboratively prepared by NOPA, Mimeta, and Fritt Ord, representing the collective efforts of the event. Approximately 30 participants gathered for this seminar, which was structured as a panel discussion followed by an interactive workshop.
BULLA is a platform that promotes free creation and seeks to vindicate the role of artists who exercise cultural leadership aimed at transforming their communities. It is also a collaborative movement focused on defending artistic expression and promoting its recognition as a fundamental human right in the construction of free, plural, and democratic societies. It is a space to unleash the power of art and music in defending human rights and in empowering solutions to the social issues of their communities. BULLA is a a project from Fundación Cartel Urbano focused on the defense of artistic freedom in Latin America.
"The State of Artistic Freedom in Latin America 2020-2022," a comprehensive inquiry undertaken by the platform "BULLA," an initiative of Fundación Cartel Urbano dedicated to safeguarding artistic freedom in Latin America, represents an endeavor poised to illuminate the multifaceted challenges confronting artists within the region. Positioned at the nexus of socio-political discourse, this report meticulously scrutinizes the manifold threats posed to artistic expression by an array of actors, including state entities, drug trafficking organizations, and organized crime syndicates.
Nhimbe Trust, a dedicated advocate for cultural rights, has recently published its inaugural report focusing on artistic freedom in the Africa Region. Titled "Artistic Freedom in Focus: A Call for Change," the report meticulously examines cases of artistic freedom violations, highlighting the challenges faced by creators in the region.
Invitation to Breakout Session at World Expression Forum
We are looking forward to be present on this breakout session at the upcoming World Expression Forum, themed around the intersection of art, activism, and challenges faced by artists globally.
"Navigating the Pressures: Protecting Artistic Freedom in a Complex Landscape," will explore the intricate dynamics of artistic expression amidst censorship pressures from both authorities and civil society.
Norad's opportunity to directly engage in the administration of Norway's human rights efforts opens up new avenues. The director of Norad stated at last year's World Expression Forum in Lillehammer that they only support freedom of expression environments in the media sector working on themes related to Norad's other initiatives. Support for freedom of expression can now be on clear terms. The work for cultural rights will also be managed by Norad from August onwards. Not as in the old days, to change a narrative about, for example, gender equality through a production of Ibsen's "A Doll's House" in Mali, but to support those fighting for a society where artistic expressions are protected, and participation in artistic production is possible.
At the Salzburg Global Seminar session ‘On the Front Lines: Artists at Risk, Artists who Risk’, in March 2023, fifty artists, activists and representatives from supporting organizations hailing from forty countries created the Salzburg Statement on Supporting Artists on the Front Line.
Utenriksdepartementet støtter Unesco sitt Aschberg-program. Dette har fokus på beskyttelse av kunstnerisk frihet. Rett før sommeren publiserte de Defending Creative Voices, en dyptpløyende gjennomgang av de internasjonale beskyttelsesmekanismene for kunstnere, med tittelunderteksten «Learning from the safety of journalists». Referansen til journalister er nærliggende. Begge grupper er spesielt fremhevet i menneskerettighetssystemet, og begge er avhengige av ytringsfrihet i arbeidet sitt.
Opening remarks by Cato Litangen, Director of Mimeta, at World Freedom of Expression Forum (Wexfo), Workshop 23rd May
Solveig Korum Korum har tatt doktorgrad i bruk av musikk som verktøy i norsk utenriks- og bistandspolitikk ved Universitetet i Agder. I fagbladet for norsk bistandssektor, Panorama Nyheter, viser Solveig Korum til Mimeta som eksempel på norske organisasjoner som arbeider sammen med lokale partnere for å få frem en fungerende kultursektor i land der myndigheten ikke tar dette ansvaret.
It is our pleasure to invite you to the roundtable “Artists at risk: Learning from the experience of journalists”, which will be hosted by UNESCO on Thursday 4 May 2023 from 13h00 to 13h30, in the framework of IFACCA’s 9th World Summit on Arts & Culture — Space A1 (Level 4), Waterfront Congress Centre, Stockholm, Sweden. The event will feature the launch of UNESCO’s new publication “Defending Creative Voices: Artists in emergencies – Learning from the safety of journalists” and the announcement of over US$ 1 million investment in artistic freedom through the UNESCO-Aschberg programme.
The roundtable, dedicated to the safety of artists, will be opened and moderated by Mr. Ernesto Ottone R., UNESCO Assistant Director-General for Culture. It will include the participation of the following panellists:
Mr Shahidul Alam, Artist, photojournalist, educator and social activist
Ms Basma El Husseiny, Founder, Action for Hope
Ms Julie Trébault, Director, Artists at Risk Connection (ARC) - PEN America
Special Rapporteur in the field of cultural rights, Ms. Alexandra Xanthak
The Special Rapporteur in the field of cultural rights, Ms. Alexandra Xanthaki, will continue to work on cultural rights in development for her next report to the General Assembly, examining more closely the global governance of development and its impact on cultural rights, and she asks for your input!
It is of urgency to invest in these structures as their foundations are crackling. The number of people that are involved concretely in the protective work globally is countable on few hands. The protective structures on ground are alarmingly scarce and not fully integrated in the international system of protection, according to head of Mimeta, Cato Litangen.
Authorities, philanthropy, cultural institutes, and key organizations and artists from vulnerable regions, took part in the first meeting of the Artist at Risk Funding Initiative. The aim is to strengthen the protection of artists at risk.
En av Arendalsukas største begivenheter i år var da Ytringsfrihetskommisjonen la frem sin rapport, som også omfatter et kapittel om kunstnerisk frihet. Den sier at «Knapt noen steder i verden ligger forholdene like godt til rette for en velfungerende ytringsfrihet og sunn ytringskultur enn i Norge. Det gjelder også for kunstnere og den kunstneriske friheten. Med dette utgangspunktet følger også et ansvar for å engasjere seg i kunstneres kår andre steder i verden, der forholdene er langt mer krevende. Norske myndigheter og kunstnerorganisasjoner bør være pådrivere og rollemodeller for kunstnerisk frihet også internasjonalt.
I work carefully and imperceptibly below the surface when it comes to freedom of artistic expression. Deep down I stand by those who want to break it but remind them of realities above the surface. At the same time, the water becomes shallower. This is my duty as a producer.
(Faisal Kiwewa, Bayimba, Uganda.)
Poster A3 for uploading
Poster A3 for uploading
The short version
Mimetas vision is to give GIVE PEOPLE THEIR RIGHT TO FREE CREATIVE EXPRESSIONS, created on free terms and presented by independent institutions.
Our mission is to support and protect those who want to enhance a culture by aesthetic or intellectual means.
By both our vision and mission Mimeta highlight the impact arts have on developing open societies, including the culture itself and the political spfere.
On the strategic level Mimeta is acheiving results by supporting organisations and individuals who work on behalf of the arts, to improve the sectors´ position on rights issues, in political and legal matters, on professionalism and skills, the distribution of the arts and - in the end - the sustainability of the sector.
We call them the service providers to the arts.
For more information on our priorities and strategic initiatives
Nadia Cherif was given the task of evaluating Mimeta's program for cultural sector development (2020-22. It was finalized in november 2023, and gave good input for next stage. Read here
